The plot of A Bend in the River, penned by the director himself and inspired in part by his own life, centres on a forty-something writer called Matt Donnelly (played convincingly by John Duddy), who comes home to County Tyrone, Northern Ireland, af…
The plot of A Bend in the River, penned by the director himself and inspired in part by his own life, centres on a forty-something writer called Matt Donnelly (played convincingly by John Duddy), who comes home to County Tyrone, Northern Ireland, after spending 26 years in New York. The writer’s return, however, is not as easy as expected, and soon, the man is forced to confront the many ghosts of his past: in particular, his never-forgotten first love, Katie (Kathy Kiera Clarke), his brother (John McConnell), an abusive school teacher (a short but impactful cameo by the late Pat Laffan) and two of his childhood friends, Declan (Brendan Broderick) and Paudie (John Connors), who did not leave Ireland during The Troubles and have presumably led a harsh, frustrating life. Declan, now married to Katie, is a violent man feared by the whole community and angered by Matt’s return.
All in all, the movie is a thorough, compelling journey into the man’s past and inner world. During his stay, Matt tries to write his new book and finds himself once again immersed in a hostile, closed-minded rural community, where no action can remain unnoticed and words spread like wildfire. The microcosm of characters encountered by Matt allows him to make sense of the Northern Ireland he remembers from his childhood and the place it has become today, as well as to reshape his own notions of “home”, “family” and “Irishness”. The narration is occasionally accompanied by a pensive – and beautifully written – voice-over expressing the thoughts of the writer, who tries to take stock of his new feelings and emotions. Aesthetically speaking, the dominant melancholic mood is masterfully conveyed through the rainy, desolate landscapes lensed by Shane F Kelly.
